In my artwork, I strive to expose materiality of the digital and the physical by abstracting familiar forms, overlaying textures, and combining techniques from a variety of traditional mediums. My artwork revolves around the Gestalt Theory of Visual Perception, the concept that the whole is greater than the sum of its parts. It provides responses to the following question posed by art historian Christine Poggi:
Does painting function as an aesthetically pleasing object (a “table”) or an extension of reality (a “tableau”)?
My favorite mark-making mediums include charcoal, graphite, watercolor, Adobe Photoshop, Procreate, and MS Paint.
Blooming Out of Sight (2025) | Acrylic
Papercut (2014) | Graphite, Gesso, Wood Pulp, Thread
A Study on Empathy (2018) | MS Paint
sleep away the sadness (2022) | Adobe Photoshop
Kyudo Day 2 (2020) | Adobe Photoshop
Kyudo Day 1 (2020) | Adobe Photoshop
Hallow (2020) | Adobe Photoshop, Procreate
Memento (2011) | Charcoal, Pastel, Gesso, Flowers Leftover from Valentine's Day
Let Sleeping Dogs Lie (2021) | Procreate
Snap Judgement (2021) | Procreate
sacred (2022) | Procreate
CHEER (2020) | Adobe Photoshop
CMYK ii (2019) | MS Paint
CMYK i (2019) | MS Paint
Reminiscent (2020) | Adobe Photoshop
Self-Portrait (2022) | Adobe Photoshop
Ann (2019) | Adobe Photoshop
I wanted to look at you but I closed my eyes (2019) | Adobe Photoshop
Pride (2022) | Procreate
Stationary (2015) | Ink, Marker
Welcoming 2022 (2021) | Adobe Photoshop
2022 Greetings (2022) | Adobe Photoshop